Catherine's Palace - The Second Coming
The interiors of the Catherine Palace are no less spectacular. The so-called Golden Enfilade of state rooms, designed by Rastrelli, is particularly renowned and forms the focus of the palace tour. Guests enter via the State Staircase which, although it blends effortlessly with the rococo grandeur of Rastrelli's interiors, in fact dates from the 1860s. With its ornate banisters and reclining marble cupids, it gives a taste of what is to come. The Great Hall, also known as the Hall of Light, measures nearly 1,000 square meters, and occupies the full width of the palace so that there are superb views on either side. The large arched windows provide enough light to relieve the vast quantity of gilded stucco decorating the walls, and the entire ceiling is covered by a monumental fresco entitled The Triumph of Russia. Using similar techniques but on a smaller scale, the White Dining Room is equally luxurious but, like many of the rooms in the palace, its grandeur is softened by the presence of a beautiful traditional blue-and-white tiled stove in the corner.
Other highlights of the Grand Enfilade include the Portrait Hall, which contains remarkably good portraits of both Catherine and Elizabeth, the Picture Gallery, in which almost every inch of wall space is covered with paneling comprising 17th and 18th century canvases and, of course, the legendary Amber Room.
To create this extraordinary chamber, Rastrelli used the panels of amber mosaic originally destined for an Amber Cabinet at Konigsberg Castle and presented to Peter the Great by Friedrich-Wilhelm I of Prussia, and surrounded them with gilded carving, mirrors, more amber panels created by Florentine and Russian craftsman (comprising a total of 450kg of amber), and further mosaics of Ural and Caucasus gemstones. The room was completed in 1770. Due to the fragility of the materials used, a caretaker was employed constantly to maintain and repair the decorations, and major restoration was undertaken three times in the 19th century. The room was used to house a substantial collection of amber-work and Chinese porcelain. In 1941, when German troops took Tsarskoe Selo, the Amber Room was dismantled in 36 hours, and shipped to Konigsberg in a tawdry pretence at historical fidelity. As the Nazi war machine crumbled, the panels were crated up and moved out of danger, but their eventual fate is unknown.
